Demon Possession and Sexual Violence in Post-Recession American Horror Cinema

Awdur(on) Máiréad Casey

Iaith: Saesneg

Dosbarthiad(au): Media, Film and Theatre

Cyfres: Horror Studies

  • Chwefror 2026 · 272 tudalen ·216x138mm

  • · Clawr Caled - 9781837723577
  • · eLyfr - pdf - 9781837723584
  • · eLyfr - epub - 9781837723591

This volume examines American horror films as key sites for exploring contemporary anxieties around gender, power and trauma. In this groundbreaking study, the author traces the resurgence of demon-possession narratives in US cinema following the 2008 financial crisis – a period marked by intensified misogyny, the rise of fourth-wave feminism, and shifting representations of sexual violence. Through incisive analysis of films such as Deliver Us from Evil (2014), The Neon Demon (2016) and The Scary of Sixty-First (2021), this study explores how the possessed body, particularly the possessed female body, emerges as a battleground for cultural fears about sexuality, violence and agency. Demon Possession demonstrates how demon-possession films reflect, reproduce and sometimes challenge dominant narratives about sexual violence and victimhood. Reframing possession as more than merely a horror trope, this book offers a vital lens for understanding gender and sexual politics in an age of economic precarity and social reckoning.

Acknowledgements

Introduction

Chapter 1. ‘Devil Woman’: Demon-Possession and Popular Misogyny in Post-Recession American Cinema

Chapter 2. ‘Street Angel, House Devil’: Male Possession Narratives and Gender-Based Violence

Chapter 3. Possessed Professions: Demon Possession, Creative Labour and the #MeToo Movement

Chapter 4. Believing Women? Female-Authorship and Demon-Possession Film

Conclusion: Raising Consciousness by Raising Hell

Notes

Select Bibliography