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The Art of the Text

Visuality in Nineteenth and Twentieth Century Literary and Other Media

Golygydd(ion) Susan Harrow

Clawr Caled - £35

Iaith: Saesneg

Dosbarthiad(au): Literary Criticism, Modern Languages

Cyfres: Studies in Visual Culture

Medi 2013 · 256 tudalen ·216x138mm

· Clawr Caled - 9780708326596
· eLyfr - pdf - 9780708326602
· eLyfr - epub - 9781783165797

Am y llyfr

Mae The Art of the Text yn cyfrannu at y drafodaeth sy’n prysur ddatblygu rhwng astudiaethau testunol ac astudiaethau diwylliant gweledol. Mae’n canolbwyntio ar brosesau meddwl awduron a’r modd y mae darllenwyr yn ymateb yn weledol ynghyd ag archwilio’r testun llenyddol ac anllenyddol, drwy ymdrin ag ysgrifau gan ysgolheigion ym maes llenyddiaeth, sgrin ac astudiaethau gweledol. Blaenoriaethir cynnyrch llenyddol Ffrengig o’r bedwaredd ganrif ar bymtheg a’r ugeinfed ganrif.

Dyfyniadau

"How do writers think visually? How do readers respond visually to the written word? This exciting volume offers fresh insights within the rapidly evolving field of visual culture studies by pinpointing an important but as of yet underdeveloped area: the visuality of text. Drawing on a wide spectrum of practices, each affording a compelling instance of cross-fertilization between the written and the visual, the volume assembles wonderful close readings of important experimental works. Twelve international experts show how canonical creators have been inspired by thinking between the written word and a range of visual phenomena related to photography, textile, cinema, television, sculpture, painting, portraits, Isotype symbols, colors, lights, and black holes. "The Art of the Text "deserves a place on the bookshelves of anyone interested in intermedial adventure."--Shirley Jordan, Queen Mary, University of London

Cynnwys

List of illustrations Notes on contributors Preface 1. Introduction Susan Harrow Thinking the Visual Image 2. Jules Verne: The Unbearable Brightness of Seeing Timothy Unwin 3. Affinities of Photography and Syntax in Proust's A la recherche du temps perdu Aine Larkin 4. Portraits and Neologisms: Understanding the Visual in Henri Michaux's 'Voyage en Grande Garabagne' Nina Parish 5. Into the 'trou noir': Visualizations of Nihilism in Nietzsche and Modiano Jenny Devine Intermedial Migrations in the 1920s 6. Painting and Cinema in Aragon's Anicet Katherine Shingler 7. Isotypes and Elephants: Picture Language as Visual Writing in Otto Neurath Michelle Henning 8. Colette : An Eye for Textiles Anne Freadman 9. Stars as Sculpture in the 1920s Fan-Magazine Interview Michael Williams Visual Negotiations and Adaptations 10. Victor Hugo and Painting: The Exceptional Case of the Orientales Karen Quandt 11. Visions and Re-visions: Zola, Cardinal and L'Aiuvre Kate Griffiths 12. Donner a voir: Poetic Language and Visual Representation according to Paul Eluard Peter Hawkins 13. A Heteromedial Analysis of Chantal Akerman's Proust Adaptation Jorgen Bruhn

Cyflwyno'r Golygydd(ion)

Awdur(on): Susan Harrow

Susan Harrow yw Athro Ashley Watkins mewn Ffrangeg ym Mhrifysgol Bryste.

Darllen mwy